{"@context": "/data/manifest/114297/18235_16_00122jpg/", "@type": "sc:Manifest", "@id": "//mdid3.gwu.edu/iiif/record/record114297/manifest", "label": "Wigs (Portfolio)", "metadata": [], "description": "", "sequences": [{"@id": "//mdid3.gwu.edu/iiif/record/record114297", "@type": "sc:Range", "label": "Record", "canvases": [{"@id": "//mdid3.gwu.edu/iiif/record/canvas/record114297", "@type": "sc:Canvas", "label": ["Wigs (Portfolio)"], "height": 1685, "width": 3000, "images": [{"@type": "oa:Annotation", "motivation": "sc:painting", "resource": {"@id": "//mdid3.gwu.edu/media/iiif/114297/18235_16_00122jpg", "@type": "dctypes:Image", "format": "image/jpeg", "height": 1685, "width": 3000, "service": {"@context": "http://iiif.io/api/image/2/context.json", "@id": "//mdid3.gwu.edu/media/iiif/114297/18235_16_00122jpg", "profile": "http://iiif.io/api/image/2/level1.json"}}, "on": "//mdid3.gwu.edu/iiif/record/canvas/record114297"}], "metadata": [{"label": "Accession Number", "value": "16_00122"}, {"label": "Creator", "value": "Lorna Simpson (American , b. 1960)"}, {"label": "Creator", "value": "Simpson, Lorna"}, {"label": "Title", "value": "Wigs (Portfolio)"}, {"label": "Location", "value": "New York, United States - Museum of Modern Art, (repository)"}, {"label": "View", "value": "General View: Full view of series containing 50 lithographic prints."}, {"label": "Object Date", "value": "1994 (creation)"}, {"label": "Classification", "value": "Prints"}, {"label": "Object Type", "value": "prints; planographic prints; lithographs"}, {"label": "Course", "value": "Obler AH3165"}, {"label": "Technique", "value": "felt; lithography"}, {"label": "Culture", "value": "American"}, {"label": "Description", "value": "Her (Lorna Simpson) multipart work Wigs (Portfolio) is composed of lithographs, printed on felt, that depict hairpieces purchased in Brooklyn set alongside narrative fragments ranging from a psychoanalyst's interview with the mother of an avowed fetishist to lines lifted from William and Ellen Craft's 1860 slave narrative, which describes how they disguised themselves in order to escape from bondage. Simpson's wigs suggest that the look of black femininity might be altered to preserve the sensate self, a combination of visual ruse and tactile identity hinted at by the richly textured surfaces on which the images are printed. In this work it is as if the conditions affecting black women can only come into view when the body and the presumptions that accompany it are absented from the field of vision.\n [Butler, Cornelia ; Schwartz, Alexandra; Modern Women: women artists at the Museum of Modern Art, 1st ed., 2010, New York: Museum of Modern Art, 2010 (9780870707711) pg. 491]"}, {"label": "Material", "value": "lithographs on felt, lithographed felt text panels"}, {"label": "Measurement", "value": "182.9 x 411.5 cm ()"}, {"label": "Style Period", "value": "Twentieth Century - Twentieth Century"}, {"label": "Subject", "value": "African American Art; Costume, Accessories, Hair accessories, Wigs; United States; States; New York; Brooklyn"}, {"label": "WorkID", "value": "18235"}, {"label": "Identifier", "value": "18235_16_00122.jpg"}]}]}], "result": "ok"}