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Corner for Ana, in Melvin Edward: Works, Whitney Museum of Art, New York, 1970
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Abstract Painting No. 5
Afrophoenix I (Lynch Fragment)
Autumn Rhythm: Number 30
Baroque Cascade
Benny Andrews holding a "Mo More Doty-ism" sign in a Black Emergency Cultural Coalition protest against the exhibition Contemporary Black Artists in America outside of the Whitney, January 31, 1971
Benny Andrews (left) and child in a Black Emergency Cultural Coalition protest against the exhibition Contemporary Black Artists in America outside of the Whitney, January 31, 1971
Black Light Series #1: Big Black
Chinese Dinner Girl
Corner for Ana, in Melvin Edward: Works, Whitney Museum of Art, New York, 1970
Cover of the exhibition brochure for Alvin Loving: Paintings (New York: Whitney Museum of American Art, 1969)
Der Sinn des Hitlergrusses
Earth Sermon--Beauty, Love and Peace
Echoes of Harlem
Elvis I and II - Blue canvas
Evening Rendezvous
Exhibition plan for Contemporary Black Artists in America
Forest Fire
Guernica
Guernica
Helen Winkler, Peter Bradley, Kenneth Noland, and Clement Greenberg installing The DeLuxe Show
Hemming
I Am a Man: Sanitation Workers Strike, Memphis, Tennessee
Installation photography from The Deluxe Show
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, April 6, 1971
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, New York, April 6-May 16, 1971
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, New York, April 6-May 16, 1971
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, New York, April 6-May 16, 1971. Phillip Lindsay Mason, Manchild in the Promised Land (1969)
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, New York, April 6-May 16, 1971. Tom Lloyd, Moussakoo (1968)
Installation view of Rebuttal to Whitney Museum Exhibition at Acts of Art Gallery, April 1971, with director Nigel Jackson
Installing components of Loving's work for The Deluxe Show
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