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The Liberation of Aunt Jemima
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32 Hours in a Box...And Still Counting
Abstract Painting No. 5
Afrophoenix I (Lynch Fragment)
A letter to my female friends love, Joan
Antonio Canova in his Studio with Henry Trescham and a Plaster Model for the 'Cupid and Psyche'
Aunt Jemima Cookie Jar
Autumn Rhythm: Number 30
Baroque Cascade
Bench by the Road Project
Beware
Big Ox No. 2
Black Light Series #1: Big Black
Blank Slide
Box with the Sound of its Own Making
Bronze Head
Buy My Apples
Buy My Bananas
Catalysis No. 4, 1970
Character Profile
Childhood Rejection Drawing; from the Rejection Quintet
Choreographer Bill T. Jones
Cocaine; (Pimps)
Concerto in Black and Blue
Conspicuous Fraud Series #1 (Eminence)
Corner for Ana, in Melvin Edward: Works, Whitney Museum of Art, New York, 1970
Cover; Cunt Coloring Book
Crocheted Environment; Installation in "Division of Labor, Women's Work in Contemporary Art," Bronx Museum, New York, 1995
Dan Mask
Dear you hypocritical fucking Twerp; For the Benefit of All the Races of Mankind (Mos' Specially the Master One, Boss) An Exhibition of Artifacts, Remnants, and Effluvia. Excavated from the Black Heart of a Negress I and II.
Der Sinn des Hitlergrusses
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