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Benny Andrews holding a "Mo More Doty-ism" sign in a Black Emergency Cultural Coalition protest against the exhibition Contemporary Black Artists in America outside of the Whitney, January 31, 1971
Benny Andrews (left) and child in a Black Emergency Cultural Coalition protest against the exhibition Contemporary Black Artists in America outside of the Whitney, January 31, 1971
Chinese Dinner Girl
Corner for Ana, in Melvin Edward: Works, Whitney Museum of Art, New York, 1970
Cover of the exhibition brochure for Alvin Loving: Paintings (New York: Whitney Museum of American Art, 1969)
Earth Sermon--Beauty, Love and Peace
Evening Rendezvous
Exhibition plan for Contemporary Black Artists in America
Forest Fire
Helen Winkler, Peter Bradley, Kenneth Noland, and Clement Greenberg installing The DeLuxe Show
Hemming
Installation photography from The Deluxe Show
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, April 6, 1971
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, New York, April 6-May 16, 1971
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, New York, April 6-May 16, 1971
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, New York, April 6-May 16, 1971. Phillip Lindsay Mason, Manchild in the Promised Land (1969)
Installation view of Contemporary Black Artists in America exhibition at the Whitney Museum of American Art, New York, April 6-May 16, 1971. Tom Lloyd, Moussakoo (1968)
Installation view of Rebuttal to Whitney Museum Exhibition at Acts of Art Gallery, April 1971, with director Nigel Jackson
Installing components of Loving's work for The Deluxe Show
Light Depth
Lobby of the Museum of Modern Art with installation of Wifredo Lam, "The Jungle" (1943), on left-hand wall, day of New York Art Strike, May 22, 1970
"Look through minds mirror distance and measure time" -- Jayne Cortez and Curtain for William and Peter, in Melvin Edwards: Works
Lynch Fragment: Some Bright Morning
Moussakoo (from the Electronic Refraction Series)
Norman Lewis protesting Harlem on my Mind at the Metropolitan Museum of Art
Septahedron 34
The Charnel House
The Jungle
Tom Lloyd, director, in front of the Store-Front Museum, Jamaica, Queens, November 3, 1972
Tom Lloyd (second from left) and assistants assembling works for Electronic Refractions II, an opening-season exhibition at The Studio Museum in Harlem
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