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B 07 Glass Bolide 01; Helio Oiticica manipulating his B 07 Glass Bolide 01 (1963) in the patio of his home-studio at Rua Engenhero Duartem Rio de Janeiro, 1964; (Photographed by Claudio Oiticica)
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100 Campbell's Soup Cans
200 Campbell's Soup Cans
210 Coca-Cola Bottles
Anthropometry Performance, Galerie Internationale d'Art Contemporain, Paris, 9 March 1960
Art and Culture
A tank stands in front of the Ministry of War in Rio de Janeiro during the military conspiracy of 1963. The army was put on alert on October 2 and moved into strategic locations throughout the city the following day. (courtesy AP)
B 07 Glass Bolide 01; Helio Oiticica manipulating his B 07 Glass Bolide 01 (1963) in the patio of his home-studio at Rua Engenhero Duartem Rio de Janeiro, 1964; (Photographed by Claudio Oiticica)
B 11 Box Bolide 09; Helio Oiticica manipulating his B11 Box Bolide 09 (1964) in the patio of his home-studio at Rua Engenhero Duarte, Rio de Janeiro; (Photographed by Claudio Oiticica)
B 34 Basin Bolide 01; B 34 Bolide Bacia
Box-in-a-Valise
Brillo Box
Brillo Box
Campbell's Soup Cans
Caranguejo, versao 01; Crab version 1
Casulo no. 2; Cocoon no. 2
Charlene
Clark (Lygia Clark) holding "O dentroe o fora" (The inside is the outside, 1963)
Clark (Lygia Clark) making a Caminhando (Walking ,1963) with paper and scissors
Clark (Lygia Clark) making a Caminhando (Walking ,1963) with paper and scissors
Clark (Lygia Clark) making a Caminhando (Walking ,1963) with paper and scissors
Clark (Lygia Clark) proposition "Dialogo de mãos' (Dialogue of Hands, 1966) in use. The object is made of elastic.
Clark (Lygia Clark) proposition "Dialogo de mãos' (Dialogue of Hands, 1966) in use. The object is made of elastic.
Clark's (Lygia Clark) Exhibtion at the "Signals London" Gallery, London, 1965; Insatllation view; (photograph credit: Photos Marcelo Ribeiro Alvares Correa)
Clark's (Lygia Clark) Exhibtion at the "Signals London" Gallery, London, 1965; Installation view
Clark's (Lygia Clark) Exhibtion in the "Brazilian Pavillion, Venice Bienniale", 1968; Installation view
Critter (1960-1963); Bicho (1960-1963); (courtesy Photos Jose Eduardo Gianinni Ortega)
Critter; Bicho; (courtesy Photos Andre de Arruda Pimental)
Dimanche - Le journal d'un seul jour - Cover showing "Saut dans la vide"
Drowning Girl
Electric Chair
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