Your basket is empty.
40 hits
Display
View:
Thumbnails
List
Metadata
Sort by:
Score
Random
Title
Creator
Date
Format
Identifier
Record creation
Last modified
Page 1
2
Keywords
Related to
Critter; Bicho; (courtesy Photos Andre de Arruda Pimental)
None
Last modified
Within last 1 day
Within last 2 days
Within last 7 days
Within last 30 days
Record created
Within last 1 day
Within last 2 days
Within last 7 days
Within last 30 days
Reset Search
Anthropometry Performance, Galerie Internationale d'Art Contemporain, Paris, 9 March 1960
A tank stands in front of the Ministry of War in Rio de Janeiro during the military conspiracy of 1963. The army was put on alert on October 2 and moved into strategic locations throughout the city the following day. (courtesy AP)
B 07 Glass Bolide 01; Helio Oiticica manipulating his B 07 Glass Bolide 01 (1963) in the patio of his home-studio at Rua Engenhero Duartem Rio de Janeiro, 1964; (Photographed by Claudio Oiticica)
B 11 Box Bolide 09; Helio Oiticica manipulating his B11 Box Bolide 09 (1964) in the patio of his home-studio at Rua Engenhero Duarte, Rio de Janeiro; (Photographed by Claudio Oiticica)
B 34 Basin Bolide 01; B 34 Bolide Bacia
Caranguejo, versao 01; Crab version 1
Casulo no. 2; Cocoon no. 2
Clark (Lygia Clark) holding "O dentroe o fora" (The inside is the outside, 1963)
Clark (Lygia Clark) making a Caminhando (Walking ,1963) with paper and scissors
Clark (Lygia Clark) making a Caminhando (Walking ,1963) with paper and scissors
Clark (Lygia Clark) making a Caminhando (Walking ,1963) with paper and scissors
Clark (Lygia Clark) proposition "Dialogo de mãos' (Dialogue of Hands, 1966) in use. The object is made of elastic.
Clark (Lygia Clark) proposition "Dialogo de mãos' (Dialogue of Hands, 1966) in use. The object is made of elastic.
Clark's (Lygia Clark) Exhibtion at the "Signals London" Gallery, London, 1965; Insatllation view; (photograph credit: Photos Marcelo Ribeiro Alvares Correa)
Clark's (Lygia Clark) Exhibtion at the "Signals London" Gallery, London, 1965; Installation view
Clark's (Lygia Clark) Exhibtion in the "Brazilian Pavillion, Venice Bienniale", 1968; Installation view
Critter (1960-1963); Bicho (1960-1963); (courtesy Photos Jose Eduardo Gianinni Ortega)
Critter; Bicho; (courtesy Photos Andre de Arruda Pimental)
Dimanche - Le journal d'un seul jour - Cover showing "Saut dans la vide"
Invention No. 35; Incenção no. 35; (PNC 037)
Jar of red pigment, belonging to José Oiticica Filho, no date; Photograph by Hélio Oiticica's brother César Oiticica Filho
Leap into the Void, October 1960
Lygia Clark with some of her study drawings. From Lygia Clark - Uma Experiencia Radical (Rio de Janeiro: Departamento de Imprensa Nacional) n.p.
Malevich or Space Viewed from a Distance; Malevich ou l'espace vu de loin
Matchbox structures, version 1; Estruturas de caixas de fósforos, versão 01; (photograph credit: Photos Marcelo Ribeiro Alvares Correa)
Metaesquema 57/58; (MET 250)
Metaesquema 57/58; (MET 301)
Planes in modulated surface no. 1 version 1; Planos em superfíce modulada no. 1, versão 01
Planes in modulated surface no. 4; Planos em superfíce modulada no. 4,; (Photograph courtesy The Museum of Modern Art, New York; photos Thomas Griesel)
Site View of Inventions; Site View of Invencoes
Page 1
2
Next
Login
Help
You have JavaScript disabled. MDID works better with JavaScript enabled.
0
Hide
Explore
Clear
Discover
Explore
Browse
Overview
Experience
Browse Presentations
Showcases
About
Search